《中国舞蹈理论丛书：新中国舞蹈史（1949-2000英译本）》在大量史料的基础上，分析了1949～2000年中国舞蹈艺术的历史发展轨迹，以重大的舞蹈历史事件作为历史分期的依据，分六章梳理了中华人民共和国之舞蹈艺术在事业概貌、创作收获、舞种沿革、杰出人物、重大组织活动等方面的基本历史现象，并且以整个中国原始舞蹈和封建社会舞蹈的发展为参照坐标，提出了新中国舞蹈是对中国女乐舞蹈文化和民间自娱歌舞文化的革命性转变，其历史本质是建立一种真正意义上的创作艺术，其发展方向是建立21世纪的独立自主的艺术美学表现体系。
冯双白，文学博士、著名舞蹈理论家和评论家、编剧、大型文艺活动策划人和撰稿人。毕业于北京大学中文系，2003年在中国艺术研究院获文学博士学位。2004年起担任中国舞蹈家协会常务副主席、《舞蹈》杂志主编、中国舞协舞蹈培训学校校长；中国艺术研究院博士生导师。代表性创作剧目：舞剧《风中少林》《水月洛神》《妈勒访天边》《玉乌》《舞台姐妹》《英雄格萨尔》，舞蹈诗剧《咕哩美》《我们新疆好地方》，杂技剧《西游记》《聊斋遗梦》等。作品三次入选“国家舞台精品工程”十大精品剧目，多次荣获国家级比赛金奖、优秀剧目奖。曾于2008年北京奥运会开幕式导演组担任策划。作为总撰稿人参与2005年中央电视台春节联欢晚会等多部大型综艺晚会，多次担任“CCTV电视舞蹈大赛”综合素质评委和全国大型舞蹈比赛评委。代表性个人专著《新中国舞蹈史（1949～2000）》《宋辽金西夏舞蹈史》《中国现当代舞蹈史纲》《图说中国舞蹈史》等，被认为是当代中国舞坛上主要舞蹈批评家之一。
Chapter Ⅰ The Dance Foundation of the Republic of China （1949-1957）
Section One Wind Blew from Fields
Ⅰ. First Glimmer of Dawn
Ⅱ. Rural-urban Symphony with Red Silk and Waist Drum
Section Two Transition between North China and South China
Ⅰ. Transition Tide of Song and Dance Troupes
Ⅱ. Artistic Exploration of New Roads
Section Three Elite Education
Ⅰ. A Lotus with two Blossoms on one Stalk-dance Movement and Dance Research
Ⅱ. Preliminary Construction of the Beijing Dance School
Ⅲ. A Violent Death of Pegasus
Section Four Three Legs of a Tripod
Ⅰ. Refined Art from Folk Dance
Ⅱ. Classical Dance from New Methods and Drama
Ⅲ. The Pluralistic Troop's Dance
Section Five Preliminary Study on Drama Dance
Chapter Ⅱ The Rise of Folk Dance Culture （1958-1965）
Section One Rooted in the Fertile Soil
Ⅰ. Flowers Blooming over the Land of Folk Dance
Ⅱ. Archaic Style， Great Men
Section Two The Foundation of Dance Dramas
Chapter Ⅲ The Ebb and Flow during the Cultural Revolution （1966-1976）
Section One An Awful Distortion
Ⅰ. “Revolutionary Model Operas” in Unprecedented Popularity
Ⅱ. “Class Struggle” Guided the Dance Creation
Section Two A Creeping Undercurrent
Ⅰ. Ballet Produced Another Harvest
Ⅱ. Small Works Took Flight
……
Chapter Ⅳ Dethronement of the Classic Paradigm （1976-1989）
Chapter Ⅴ The Prosperity of the Art of Dance （1980-2000）
Chapter Ⅵ Manifestation of the Main Consciousness （1990-2000）
Conclusion： An Unfinished Change
Appendix The Chinese Dance Events （1949-2000）
the army held its first art festival， in which came outwith a lot of new dances including "Marine Soldiers Dance"， "Tibetan Cavalry Dance"and others which had won prizes. Its successful establishment had a lasting， significantand real impact on the dance creation of the Army. In April 1953， the first national folkmusic and dance festival was held in Beijing. 331 folk artists of all nationalities and regions in China participated the festival， presenting 27 performances， and more than 100good music and dance programs with local characteristics such as "Riding a DonkeyDance"， " Tea-picking Dance'， " Lion Dance'， " Flower Lantern Dance"， " DrumDance"， "Joyous Farmer's Dance，" "Tiao Xian" and so on. The dance the forum was also held during the festival， stressing the study of folk dance. In February 1955， the National Amateur Music and Dance Festival was held in Beijing. The Ministry of Culture， theNational Federation of Trade Unions， the Central Committee of the Communist YouthLeague， Ministry of Higher Education， and the Ministry of Education organized the festival. The festival was divided into three sections performed by farmers， students and civilworkers receptively 201 （ some said 293 ） programs were performed by the actors and actresses from 8 nationalities of Han， Hui， Mongolian， Korean， Li and Dong， Zhuang，Man. A total of 800 people including 356 farmers， folk artists and professional artists，224 students and 223 workers participated in the performance. Anhui's folk dance "LiuHai Plays with Jin Chan"， Heilongjiang's " Little Cart Dance"， Zhejiang's "DragonDance"， Shanxi "Su Drum Dance"， Jilin's "Northeast China Folk Dance"， NorthernGuangxi's "Wangsan Hunts Birds" and "Carrying-pole Dance" and other works werewelcomed with great acclaim.
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